Clouds is a granular audio processor – with a couple of twists. Unlike granular sample players, Clouds is focused on the realtime granularization of incoming audio signals, and the acquisition of textures from them.
The heart of Frames is a 4-channel analog VCA under tight digital control. Through flexible input/output mixing and normalling options, it can be patched to serve the following purposes (among others):4-channel attenuator/VCA. 4-channel mixer. 4-channel programmable CV source. Quadraphonic signal dispatcher.
Take the user interface of an euclidean sequencer, a healthy dose of machine learning and graph algorithms, megabytes of drum loops, hours of intensive computations and you’ve got a drum pattern generator like no other.
Peaks provides 4 different functions in a small 8-HP package. Their common point? They are all about generating an audio or CV signal in response to a trigger, and are all focused on rhythmic works. Peaks is a dual-channel module – making it very useful for duophonic patches or for controlling/synthesizing the kick/snare rhythmic backbone of a patch.
Rings brings physical modelling synthesis to your Eurorack system, from a more modular angle than Braids’ models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.
Ripples delivers a classic, big-sounding analog four-pole filter in a small 8-HP package, continuing Mutable Instruments’ lineage of warm and tasty filters started by the Shruthi SMR4 mkII and 4-Pole Mission.
Shelves brings to Eurorack modular systems something we are all very familiar with: the 4-band parametric EQ typically found in console channel strips. But this time, there’s CV control! The first band is a low-pass shelving filter, the fourth band a high-pass shelving filter, and band #2 and #3 have full-blown parametric controls with bandwidth (Q) adjustment. All analog.
Streams provides two channels of extremely flexible signal dynamics manipulation. Each channel consists of an analog voltage-controlled filter and amplifier (VCFA). The response curve of the amplifier section is continuously variable from exponential to linear.
Tides is all about waves that go up and down, from minute-long cycles to audio rates… This module is Mutable Instruments’ unique take on the looping AD envelope generator – pushing this well-known trope to unknown territories.
Evolved from the oscillator mixing section of Mutable Instruments’ desktop hybrid synths, Warps is designed to blend and combine two audio signals. A variety of wave-shaping and cross-modulation methods – some of them emulating classic analog circuits, some of them purely digital – are provided by the module.
Yarns is a MIDI interface providing up to 4 channels of CV/Gate conversion, along with some MIDI note message processing features — including arpeggiator, euclidean sequencer, and a SH-101 inspired step sequencer.
Blinds is a 4-channel voltage-controlled signal polarizer. Each channel consists of a polarizer circuit, also known as a four-quadrant multiplier. This circuit acts like a VCA, except that a negative control voltage will cause the output signal to be inverted, instead of being silenced. Blinds’ outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels, to be mixed together.